Cardenio between Cervantes and Shakespeare: The Story of a by Roger Chartier

By Roger Chartier

How should still we learn a textual content that doesn't exist, or current a play the manuscript of that is misplaced and the identification of whose writer can't be proven for certain?

Such is the enigma posed through Cardenio – a play played in England for the 1st time in 1612 or 1613 and attributed 40 years later to Shakespeare (and Fletcher). Its plot is that of a ‘novella’ inserted into Don Quixote, a piece that circulated during the significant nations of Europe, the place it used to be translated and tailored for the theatre. In England, Cervantes’ novel was once identified and mentioned even prior to it used to be translated in 1612 and had encouraged Cardenio.

But there's extra at stake during this enigma. This was once a time whilst, thank you commonly to the discovery of the printing press, there has been a proliferation of discourses. there has been frequently a response while it was once feared that this proliferation may develop into over the top, and lots of writings have been weeded out. now not all have been destined to outlive, specifically performs for the theatre, which, in lots of instances, have been by no means released. This style, positioned on the backside of the literary hierarchy, was once compatible to the lifestyles of ephemeral works. despite the fact that, if an writer grew to become recognized, the will for an archive of his works triggered the discovery of textual relics, the recovery of remainders ruined by means of the passing of time or, so as to fill within the gaps, every now and then, even the fabrication of forgeries. Such was once the destiny of Cardenio within the eighteenth century.

Retracing the background of this play as a result leads one to ask yourself concerning the prestige, long ago, of works at the present time judged to be canonical. during this e-book the reader will rediscover the malleability of texts, reworked as they have been by way of translations and diversifications, their migrations from one style to a different, and their altering meanings built through their a number of publics. due to Roger Chartier’s forensic talents, clean gentle is forged upon the secret of a play missing a textual content yet no longer an author.

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